Hallelujah! I'm Goin' To Praise His Name!

This setting, with completely written out accompaniment, poses little difficulty for the singers. The tenor part is high in order to approximate the intensity that three-part gospel choirs achieve by having all the male voices sing a tenor part. A bass part is written and necessary here. With the exception of one place (mm. 32-34), the lead voice parts have been woven into the choral parts.

Directors may elect not to repeat certain sections of the music; or, some sections may be repeated more times than written here. It is not necessary to relax eighth notes and dotted rhythms to triplets; reading the notation as written will retain the energy and drive necessary for a jubilant performance.

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